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unter zwischen im ampelhaus ampelhaus, oranienbaum (ger)

2014 sees Ampelhaus present “Unter Zwischen im Ampelhaus”, the gallery’s third summer exhibition and a show which ably demonstrates why Ampelhaus is well on its way to becoming just as popular a summer destination as the neighbouring Schloss once was.

Following on from their 2012 exhibition “Use it Again” which explored reusing and recycling in various contexts and 2013′s “King Size: Art and Design fit for a King” with its more regal perspective on the same subjects, the 2014 exhibition “Unter Zwischen im Ampelhaus” moves the discussion on to add more considered reflections on aesthetics, memory, semantics and emotions in context of salvaged and recycled objects.

Unter Zwischen im Ampelhaus in many ways mirrors and updates that roster, presenting as it does works by some of the more interesting and progressive young designers and artists the Netherlands currently has to offer.

Dirk Vander Kooij, for example, is represented with his 2013 Chubby Chair, a work that takes the extreme 3D printing concept developed in his Endless project to create a recycled polystyrene chair with the most delightfully endearing and engaging cartoon-esque form, while Amsterdam based Pepe Heykoop is represented with two projects, the anarchic 2012 Bits of Wood which combines waste wood and waste tin to create new products, plus two objects from his ongoing Skin Collection series in which he covers old, neglected objects in leather waste thus giving a new life, purpose and aesthetic charm to both.

In addition Unter Zwischen im Ampelhaus features works by a further 20 or so artists and designers including, amongst others, Olaf Mooij, Isaac Monté, Bram Braam and Tejo Remy & René Veenhuizen, whose Accidental Carpet created from cut-offs and loose ends of old wool blankets graces the space like some slowly melting Keith Haring painting. One could almost say Keith Haring meets Salvador Dali. In a wool carpet.


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